Patrick Nielsen Hayden


Patrick Nielsen Hayden is a senior editor, and the manager of the SF and fantasy lines, at Tor Books, where he has worked with authors ranging from Arthur C. Clarke, David Weber, and Terry Goodkind to Emma Bull, Ken MacLeod, and Charles de Lint.  He has been responsible for publishing the first novels of many notable writers, including Maureen F. McHugh, Susan Palwick, Jonathan Lethem, Cory Doctorow, Jo Walton, and John Scalzi.  He is a nine-time Hugo finalist and a winner of the World Fantasy Award.  With his wife, Teresa Nielsen Hayden, he co-edited the Hugo-nominated fanzine Izzard, won TAFF in 1985, and helped found the New York Review of Science Fiction; today, the Nielsen Haydens are among the regular instructors at the Viable Paradise writers' workshop, and co-write the weblog Making Light.  Together, in 2003, they were awarded the Edward E. Smith Memorial Award (the "Skylark"), for service to the field.  In the rest of his life, Patrick teaches at other workshops, edits the occasional anthology, and plays lead guitar for the New York City band Whisperado.


Web Site

Blog


DayTimeTitleDescriptionParticipants
Thu1600How to Make SF More Inviting to TeensSF attracts tons of teens via video games, movies, anime, and comics but how do we get them to read books? Should we port books to cell phones? Perhaps if we add more sex, disrespect for authority, hip bildungsromans, and work with media tie-ins?Cory DOCTOROW, David M. SILVER, Farah MENDLESOHN, Lisa C. FREITAG, Patrick NIELSEN HAYDEN
Fri1100What Every Pro Should Know About FandomWithout fandom, there would be no Worldcon and no Hugo Awards. Once you immerse yourself in fandom there are definite do's and don'ts. Find out what they are from people who know.Gay HALDEMAN, Lillian CSERNICA, Patrick NIELSEN HAYDEN, Susan DE GUARDIOLA
Fri1500Kaffeeklatsche Patrick NIELSEN HAYDEN
Sat1200Mundane or Transcendent?Many American SF writers write about the near future, the Singularity, or the far future; all completely different from our reality. Some are in favor of realism, while other prefer fantastic elements. Is this necessarily contradictory? Can we find fantastic in the real world, or write a realistic alien future?Charles STROSS, Cory DOCTOROW, Robert SILVERBERG, Patrick NIELSEN HAYDEN, Yoshio KOBAYASHI
Sat1400The Universal LibraryImagine if all the information of the world was available via the web; all the books, magazine, videos, TV shows and crossword puzzles ever produced. What would be the effect be on the world? How would it come about, and would it change the world?Charles STROSS, Cory DOCTOROW, Linda ROBINETT, Patrick NIELSEN HAYDEN, Tom GALLOWAY
Sat1600?s It Really Strange?: New SlipstreamBruce Stterling coined the term Slipstream nearly twenty years ago. Since then a bunch of new writers has written a lot of that kind of unclassifiable strange fiction. But is it a type, or subgenre? One thing is clear now. Many writers in their thirties now prefer to write bizarre and surrealistic stories within our genre. And it happens in Japan, too.Kelly LINK, Patrick NIELSEN HAYDEN, Mark L. VAN NAME, Takashi OGAWA
Sun1200Defending Public Domain from Corporate Copyright MaximalismCopyright is the new conspiracy. What can we do to keep public domain works public. And how do we get them to release what should be public? If a company can make a buck, it will but where does capitalism end and copyright maximalism begin?Cory DOCTOROW, Inge HEYER, Naomi NOVIK, Patrick NIELSEN HAYDEN
Sun1400Upcoming Books from TorA presentation on Tor's publication schedule.Patrick NIELSEN HAYDEN, Tom DOHERTY
Mon1000Blogging and Live Journals in SFBlogging (and related activities) are having an impact on the world at large, and the SF community in particular. Blogs tell us more about the people in the field, the way the field works, and who is who -- and at a pace and a distribution that few if any fanzines ever matched. Blogs influence the directions of our community, can impact awards by making works or their creators better known, and perhaps even influence the works being created. Or is the impact overstated, as all things net related seem to be? Can writers use blogs to market themselves? Are blogs a way to engage the community? And is this true worldwide, or is it just an US-centric fad? Or even the English speaking world?Adam RAKUNAS, Chad ORZEL, Yoshio KOBAYASHI, Patrick NIELSEN HAYDEN, Paul CORNELL